She is known for her menagerie of resin-cast animals, which are covered
with the bindi, and she also uses the bindi to make large, wall-based panels.
these sensual abstract surfaces may be described as swirls of contrasting
colored dots and shapes. when not working with the bindi, kher’s practice
encompasses digital photography and sculptural works that continue to explore
her interest in kitsch and popular consumer culture.
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